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导演:
/Tomm Coker,David Elliot
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维多利亚(莎妮·索萨蒙 Shannyn Sossamon 饰)和卡洛琳(粉红佳人 Pink 饰)是情同手足的姐妹,成年后,卡洛琳离开了家人,前往巴黎生活。某日,维多利亚受到了姐姐的邀请,也来到了这座繁华而又摧残的时尚之都,在这里,一场别开生面的电音派对正在如火如荼的准备之中。 派对开办的地点设置在一座荒废已久的地下古墓之中,这里曲曲折折如同迷宫一般让人找不着北。疯狂而又糜烂的派对开始了,就在大家沉迷其中时,警察的到来让活动现场陷入了一片混乱之中,维多利亚和卡洛琳走散了,之后维多利亚陷入了昏迷之中。当她再度醒来之时,震惊的发现古墓中竟然空无一人,唯一等待着她的,是一个面目模糊嗜血残暴的杀人魔王。
导演:
/苏·霍顿
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蓝鲸(学名:Balaenoptera musculus)是一种海洋哺乳动物,属於鬚鲸亚目。蓝鲸被认为是地球上曾经生存过体型最大的动物,长可达33公尺,重达181吨。 蓝鲸的身躯瘦长,背部是青灰色的,不过在水中看起来有时颜色会比较淡。 目前已知蓝鲸至少有三个亚种:生活在北大西洋和北太平洋的B. m. musculus;栖息在南冰洋的B. m. intermedia与印度洋和南太平洋的B. m. brevicauda(也称侏儒蓝鲸)。在印度洋发现的B. m. indica则可能是另一个亚种。与其他鬚鲸一样,蓝鲸主要以小型的甲壳类(例如磷虾)与小型鱼类为食,有时也包括魷鱼。 直到20世纪初,在世界上几乎每一个海域中,蓝鲸的数量是相当多的。在超过40年后,捕鲸者的猎杀使牠们几乎灭绝。直到国际社会在1966年开始保育蓝鲸后,蓝鲸的数量才逐渐上升。一份2002年的报告估计目前世界上蓝鲸的数量在5,000至12,000隻之间,并分佈在至少5个族群中。最近对於侏儒蓝鲸的研究显示这个数字可能是低估了实际的数量。在捕鲸活动开始前,蓝鲸最大的族群是在南极海域,估计大约有239,000隻(范围介於202,000与 311,000之间)。目前在东北太平洋、南极海与印度洋的数量已经比以前要减少非常多(大约各只有2,000隻)。在北大西洋则有2个更大的集团,在南半球至少也有2个集团。
导演:
/纳卡什·哈立德
剧情:
20-something Aden has no other ambition in life than to become an actor. Most of his time is spent making videos as he applies for roles he’ll never get. After a string of dreadful auditions, where bizarre and humiliating requests are made of him, he comes up with a radical move: he will take full responsibility for finding a role that primarily he, himself, wants to play. This self-assured debut, playful in form and narrative with a fairy-tale edge to it, examines both the commercial work ethic and the concept of identity, which it presents as multilayered and also questionable. At the same time, in its exploration of the given themes, the film doesn’t deny itself a socio-critical tone, nor does it resist the temptation to tease the viewer a little.
导演:
/比尔·普莱姆顿
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这部片可以是加了幽默的《Akira》,添了人情味的《RoadRunner》,动画版的《低俗小说》(Pulp Fiction)。一个关于一对新婚夫妇在新婚之夜发生的温馨故事。丈夫格兰特(Grant)突然得到奇异的超自然力量,与此同时妻子凯丽(Kerry)窘于应付。无论何时,只要Grant一想什么,就会变为现实,尽管他并不知道这些魔力来自哪里。他从此成为清谈节目的风云人物。拉森·扎尔斯(Larson Giles),笑笑公司(Smile Corp.)老总,一个Ted Turner型媒体巨头,派遣他的私家军团,由粗暴但无脑的菲古森(Ferguson)上校率领,去绑架格兰特,以便霸占全球媒体收视率。接下来就是电影史上最暴力和奇怪的对战之一。除了多个足以开罪所有人的极端暴力画面,还有曾被称为“电影中有史以来出现的最怪异和滑稽的性场面”。
导演:
/Chaysen Beacham
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在18岁生日那天,疏远的父亲用一辆复古车向TJ发起挑战,鼓励他进行一次横跨全国的公路旅行。TJ与一些古怪的同伴踏上了这段充满幽默和坚韧的旅程,逐渐意识到,人生中最漫长的道路也可能通向家的方向。
导演:
/梅根·帕克
剧情:
The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first love as Elliott prepares to leave her childhood home. Writer-director Megan Park’s tender, surprising sophomore feature cleverly uses its high-concept premise of a visit from one’s future self to launch a refreshing, nuanced exploration of the uncertainties of young romance and coming of age. My Old Ass is a sweet teenage love story, a lively contemporary comedy, and a quirky riff on time-travel films all in one. Maisy Stella and Aubrey Plaza have a terrific unlikely chemistry, as the sass and self-assuredness of the young Elliott, as played by Stella, blends and overlaps with Plaza’s sardonic humor as a more mature Elliott. The care and affection shown in the film’s depiction of Elliott’s rural hometown in her last days before taking off for adulthood visually highlights her emotional journey, evoking a nostalgia for days that haven’t even ended yet.—HZ
导演:
/Sokyou Chea,Inrasothythep Neth
剧情:
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
导演:
/伊恩·邦霍特,皮特·艾德盖
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前所未见的家庭影片和非凡的个人档案揭示了克里斯托弗·里夫是如何从默默无闻的演员成为终极银幕超级英雄的标志性电影明星的。 克里斯托弗·里夫在一次悲惨事故中四肢瘫痪,只能依靠呼吸机呼吸,此后他作为一名活动家领悟到了英雄主义的真谛。 电影制作人伊恩·邦霍特(Ian Bonhôte)和彼得·埃特迪吉(Peter Ettedgui)巧妙地将时间前后推移,编织出双重叙事,探讨了克里斯托弗·里夫职业生涯中两个关键时刻对人生的改变:1978年出演《超人》和1995年瘫痪。 在超级英雄席卷影院的几十年前,里夫让世界相信人类可以飞翔;他的意外事故让全世界关注残疾。 在《超/人》中,里夫的亲友对事故前后的生活的反应非常真诚。 这部影片深深地打动了观众,突出了超人背后的那个人——这不是一部传记,而是一幅完整的肖像,涵盖了里夫人生旅途中的辉煌和黑暗。