J
搜索"J"，找到16527部影视作品
导演：
/泽基·安特科扎克
剧情：
乡下姑娘玛格丽特（安娜·拉德旺AnnaRadwan饰）孤身一人来到了繁华的大都市巴黎，在生活所迫之下成为了妓女。玛格丽特不幸染上了肺病，在治疗期间，她遇见了善良的公爵，公爵因为刚刚失去了心爱的女儿而悲痛万分，恰巧玛格丽特样貌酷似他死去的女儿，于是公爵将玛格丽特收为养女。一次偶然中，玛格丽特邂逅了税务局长的儿子杜瓦（让·弗里兹JanFrycz饰），杜瓦燃烧的热情和忠贞的诺言渐渐治愈了玛格丽特内心的伤痕，两人很快就走到了一起。然而，这段感情却遭到了杜瓦家人的强烈反对，甚至断了杜瓦的经济来源，为了顾全大局，玛格丽特只得忍痛离开恋人。
导演：
/Niamh McKeown
剧情：
Dinosaur follows Nina (Ashley Storrie), an autistic woman in her 30s, who adores her life living with her sister and best friend Evie. However, when Evie rushes into an engagement after only six weeks and makes Nina her maid of honour, Nina is floored. Forced to reconcile with her sister’s impulsive decision, Nina grapples with what this new challenge means. Nina’s relationship with her sister isn’t the only change that she’s navigating, as she explores new possibilities in her palaeontology career and a potential new relationship in her own life with the introduction of kind-hearted Lee, who helps Nina to see these new challenges in a more positive light. As their relationship blossoms, we see that Nina helps Lee just as much as he helps her.
导演：
/Jo,Hyo-jin,Im,Hyung-taek,Kim,Ju-hyung
剧情：
Running Man是韩国SBS电视台周末娱乐节目《星期天真好》新的版块，是韩国著名主持人刘在石自“家族诞生”第一季结束后时隔五个月接手的SBS新艺能节目，作为刘在石的SBS艺能节目回归之作，running man致力于打造一个不同于过去real variety的新型态娱乐节目。可以说是SBS赌上自尊心的新艺能节目。2010年7月11日起作为‘星期日真好-1部’播放。 节目通过组队游戏获取金币或running ball 最后决定胜者，输的一队将接受惩罚。节目由刘在石，池石镇，HAHA，金钟国，Gary姜熙健，宋智孝，李光洙等搞笑性、艺能性极高的艺人主持。
导演：
/Joelle,Mae,David,Makalla,McPherson
剧情：
QueenieJenkinsisatwenty-five-year-oldJamaicanBritishwomanlivinginSouthLondon,straddlingtwoculturesandslottingneatlyintoneither.Afteramessybreakupfromherlong-termboyfriendTom,Queenieseekscomfortinallthewrongplaces,andbeginstorealiseshehastofacethepastheadon,beforeshecanre-build.
导演：
/内详
主演：
剧情：
FX于日前正式放行由《宿敌》和《清道夫》编剧Gina Welch执笔的六集限定剧《斯特林韵事》（The Sterling Affairs），并邀请到了《喜新不厌旧》和《汉尼拔》的Laurence Fishburne以及凭借《动物王国》、《乌云背后的幸福线》两度提名的Jacki Weaver领衔主演。 故事将以洛杉矶快船队曾经的老板Donald Sterling展开，他在1981年以1250万美元买下这支队伍，但成绩一直未有起色；真正让Donald“为人熟知”的，便是2014年爆发的种族歧视丑闻。在2013年9月与拉丁裔女友争执的过程中，因为不满女友上传了和Magic Johnson的合照，他大放厥词，表示自己“养着黑人，给他们薪水，他们的一切都是我赐予的“；在对话被公开后，这则新闻造成轰动，并且引发抗议。最终Donald被终身竞赛，并被联盟罚款250万美元；而他也被快船队驱除，其后球队易手他人。这之外，Donald还有数段婚外情，和自己的妻子Shelly Sterling展开了接近六十年的拉锯，并最终寻求离婚。 此次Jacki将饰演Shelly，而Laurence则会饰演快船队的另一个关键人物- -于1991年加盟并助其闯进季后赛，接着于2013年至2020年执教的Doc Rivers，在种族丑闻的阴影下，Doc继续带领队伍完成了自己的合约。
导演：
/Dallas Jenkins
主演：
剧情：
The Chosen is a historical drama based on the life of Jesus and those who knew him. Set against the backdrop of Jewish oppression in first-century Israel, the series shares an authentic look at Jesus' revolutionary life and teachings.
导演：
/Jimmy Stone
剧情：
魔法。それが現実の技術として確立されてから約一世紀が過ぎていた。
国立魔法大学附属第一高校、通称“第一高校”にとある兄妹が入学する。
魔法師として致命的な欠陥を抱える劣等生の兄?達也。
すべてが完全無欠な優等生の妹?深雪。
二人の学生生活は激動に次ぐ激動の日々だった。
政治結社《ブランシュ》の襲撃。
九校戦への香港系国際犯罪シンジケート《無頭( ノー?ヘッド?)竜(ドラゴン)》の介入。
大亜連合軍の横浜への侵攻。
人の精神に取り憑いて変質させる魔物パラサイトの出現。
そしてUSNA軍魔法師部隊スターズ総隊長アンジー?シリウスことアンジェリーナ＝クドウ＝シールズの来訪。
波乱に満ちた一年が終わり、二年生になった二人の生活も少しずつ変化する。
四葉家から使わされた桜井水波が達也たちと同居することになり、
達也は新設された魔法工学科、通称《魔工科》に転科す...
导演：
/内详
主演：
剧情：
讲述处男Almond请求三位室友Latte、Tanwa和Peak帮忙交往对象，如果他们中的一个设法把他和他喜欢的人联系上，他将支付一年的租金。渴望谈一场恋爱而坠入艳福不浅的大海，却意想不到恋爱之神来敲门，他发现自己爱上了Latte。 Virgin Almond makes a wager with his three roommates—Latte, Thanwa and Peak. If one of them manages to hook him up with his crush, he'll cover one year's rent.
导演：
/朱拉·亚库比斯克
剧情：
Although the title would indicate this feature has a religious theme, it refers only to men between the ages of 30 and 33. Juraj (Jiri Sykora) is a recent graduate of the art institute who is uncertain about his future as a painter. His brother Andrej (Vlado Mueller) is the businessman who has the confidence his brother lacks but is troubled by his strained marriage to his wife. Juraj falls for his brother's wife, while Andrej falls for Juraj's girl Jana (Jana Hernova), but Andrej's death in a car crash puts an end to the two unconventional love affairs. The appeal of the film is the interaction of the two brothers that strikes a resounding note of familiarity to any audience. —— Dan Pavlides, All Movie Guide
导演：
/理查德·林克莱特
剧情：
荣获奥斯卡金像奖提名的导演理查德·林克莱特执导的这部光鲜亮丽的新黑色影片由格伦·鲍威尔主演。他在片中饰演刻板的教授加里·约翰逊 — 新奥尔良警察局的一名兼职假杀手。加里有着异乎寻常的天赋，擅长伪装成不同的人，来抓捕那些希望击退敌人的倒霉蛋。当他被一个潜在罪犯吸引时，他陷入了道德困境：这个罪犯是一个名叫麦迪逊（阿德里娅·阿霍纳饰）的美丽年轻女子。当麦迪逊爱上加里扮演的杀手角色之一（神秘性感的罗恩）时，他们的暧昧关系引发了一系列的连锁反应，包括演戏、欺骗和不断升级的赌注。《Hit Man》由林克莱特和鲍威尔共同创作，改编自一个令人难以置信的真实故事，是一部巧妙描写身份的存在主义喜剧。
导演：
/约瑟夫·罗西
剧情：
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
