Hunt
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导演:
/约瑟夫·罗西
剧情:
ThelasttimeBritainwasamajorforceinworldcinemawasinthe1960s;adocumentaryofafewyearsbackonthesubjectwasentitled’HollywoodUK’.ThiswastheeraoftheKitchenSink,socialrealism,angryyoungmen;aboveall,thetheatrical.Andyet,ironically,thebestBritishfilmsofthedecadeweremadebytwoAmericans,RichardLesterandJosephLosey,wholargelystayedclearoftheperiod’smoretypicalsubjectmatter,which,likeallattemptsatgreaterrealism,nowseemscuriouslyarchaic.’KingandCountry’,though,seemstobetheLoseyfilmthattriestobelongtoitsera.Like’LookBackinAnger’and’ATasteofHoney’,itisbasedonaplay,andoftenseemscumbersomelytheatrical.Like’Lonelinessofthelongdistancerunner’,itsheroisanexploited,reluctantlytransgressiveworkingclassladplayedbyTomCourtenay.Like(theadmittedlybrilliant)’ChargeoftheLightBrigade’,itisahorrified,near-farcical(thoughhumourless)lookatthehorrorsofwar,mostparticularlyitsgapingclassinjustices.PrivateHampisayoungvolunteersoldieratPachendaele,havingservedthreeyearsatthefront,whoiscourt-martialledfordesertion.Increasinglyterrorisedbytheinhumanpointlessnessoftrenchwarfare,thespeedy,grisly,violentdeathsofhiscomradesandthemedieval,rat-infestedconditionsofhistrench,heclaimstohaveemergeddazedfromonegruesomeattackanddecidedtowalkhome,toEngland.HeisdefendedbythearchetypalBritishofficer,CaptainHargreaves,whoprofessesdisdainfortheman’scowardice,butmustdohisduty.Heattemptstospinadefenceonthegroundsofmadness,buttheupper-crustofficershavehearditallbefore.Thisisaverynice,dulyhorrifying,liberal-handwringing,middle-classplay.ItpanderstoalltheclichesoftheGreatWar-thedisgracefulworking-classmassacre,whiletheofficerssupwhiskey(Haig!)-figuredinsomecharminglyobvioussymbolism:Hargreavesthrowingadyingcigaretteinthemud;Hamphystericallyplayingblindman’sbuff.Thesetsarepicturesquelygrim,medieval,amoderninferno,asthesemenlietrappedinanever-ending,subterraneanlabyrinth,litbyhellishfires,withratsforcompanyandtheconstantsoundofshellsandgunfireremindingthemoftheoutsideworld.Theplay,inaverymiddle-classway,isnotreallyabouttheworkingclassatall-Hampismoreofasymbol,anessence,lyinginthedark,desolatelyplayinghisharmonica,anoteofhumanityinascoreofinhumanity.Hedoesn’tdevelopasacharacter.TheplayisreallyaboutHargreaves,hisrealisationoftheshabbyinadequacyofnotionslikeduty.Hedevelops.Thisrealisationsendshimtodrink(tastierthandying!).Likehisprolesubordinates,hefallsinthemud,justasHampissaidtohavedone;heevensaystohissuperior’Weareallmurderers’.Thisisallveryeffective,ifnotmuchofadevelopmentofRCSherriff’screaky’Journey’sEnd’,filmedbyJamesWhalein1930.Itsearnestnessandverbositymayseemalittlestiltedintheageof’PathsofGlory’and’Dr.Strangelove’;wemayfeelthat’Blackaddergoesforth’isatruerrepresentationoftheGreatWar.ButwhatIhavedescribedisnotthefilmLoseyhasmade.Heistoosophisticatedandcannyanintellectualforthat.ThefilmopenswithalingeringpanoveroneofthosemonumentalWarmemorialsyouseealloverBritain(andpresumablyEurope),asiftosayLoseyisgoingtoquestionthereceivedideasofthisstatue,thehumancost.Butwhathe’sreallyquestioningisthisplay,anditswoefulinadequacytorepresentthemanifoldcomplexitiesoftheWar.ThisisBrechtianfilmmakingatitsmostsubtle.Weareconstantlymadeawareoftheartificeofthefilm,thetheatrical-thestilteddialogueisspokenwithdeliberatestiffness;theatricalritualsareemphasised(theinitialinterrogation;thecourtscene,whereactorsliterallytreadtheboards,enunciatingthepredictablespeeches;themirror-playputonbythehystericalsoldiersandtherats;thereligiousceremony;thehorriblefarceoftheexecution).Prosceniumarchesaremadeprominent,audiencesobserveevents.Thisisaplaythatwouldseektocontain,humanise,explaintheGreatWar.Thisisahopelesstask,asLosey’sprovisionalapparatusexplains,’real’photographsofharrowingdetritusfadingfromthescreenasifeventhesearenotenoughtoconveytheWar,nevermindawell-made,bourgeoisplay.Losey’svisionmaybeapocalyptic-itquestionsthepossibilityofrepresentationatall-thevarioustagsofpoetryquotedmakenoimpactonhardmenmenwhorattledthemoffwhenyoung;theShakespeareandualityof’noble’dramacommentedonby’low’comedy,effectsnotranscendence,nogreaterinsight.Losey’scameraworkandcompositionrepeatedlybreaksourinvolvementwiththedrama,anywishwemighthaveformanlysentimentality;inoneremarkablesceneanofficertakesanAubreyBeardsleybookfromthecameraman!Thisideaofthetheatricalevidentlymirrorstherigidclass’roles’playedbythemaincharacters(Hamp’sfatherandgrandfatherwerecobblerstoo;presumablyHargreaves’werealwaysSandhurstcadets).Loseyalsotakesasideswipeatthekitchensinkproject,byusingitstools-historyhasbornehimout.
导演:
/乔·林奇
剧情:
Just days ago, Elizabeth Derby (Heather Graham) was a successful psychiatrist with a loving husband and the world at her fingertips. Now, she finds herself locked up inside a psych ward after the murder of a young male patient to whom she had an inexplicable, almost otherworldly attraction. Hoping to clear her name, Elizabeth confides in her doctor and recounts what happened, giving way to a bizarre and disturbing tale of sexual madness, supernatural horror, and homicidal rage. The deeper the story goes, the more unhinged and carnage-laden life becomes, not just for Elizabeth but for everyone in her path. In this cinematic love letter to the late, great horror filmmaker Stuart Gordon (Re-Animator, From Beyond), the go-for-broke indie veteran Joe Lynch provides an unpredictable and delightfully perverted gift to fans of everything from erotic thrillers to body horror and H.P Lovecraft-minded cosmic mayhem. Written by Re-Animator scribe Dennis Paoli, produced by ‘80s horror maven Brian Yuzna (Society), and co-starring Re-Animator MVP Barbara Crampton, Suitable Flesh will be catnip for those who like their horror equal parts classically minded and progressively unclassifiable.
导演:
/约翰·海姆斯
剧情:
生物进化学家玛歌博士(潘妮洛普安蜜勒饰)与警探文生(汤姆赛兹摩饰),遇上一连串令人毛骨悚然的谋案,案发地点皆在玛歌工作的自然历史博物馆。博物馆正筹备南美洲历史遗迹的古文物大展,馆长安卡斯伯(琳达杭特饰)为此次的盛大展出,设计各种令人叹为观止的展览馆,包括了巴西“卡索加”区、埃及古坟区、马雅古坟区、巫毒教展示间以及迷信传说展示区等,以期在募款的开幕酒会中,得到各界瞩目,延续博物馆的命运。开幕酒会在即,博物馆内的谋杀案却未侦破,警方并进一步发现涉案的杀人魔手法惨烈,遇害者皆是头部断裂,头颅有5.5呎大洞,视丘与脑下垂体等具有管理荷尔蒙作用的脑浆凭空消失!这与玛歌博士在古迹上意外取得的卵细胞分子DNA不谋而合,原本深信科学而排斥迷信的玛歌不得不转而求教于指导教授佛洛克(詹姆斯怀特摩饰),探索他时常耳提面命的“卡索加”杀人魔传说。开幕酒会人潮涌进,官盖云集!...
导演:
/乔恩·克劳兹,特雷弗·马修斯
剧情:
凯丽(艾丽·柯布琳AliCobrin饰)的父亲在不久之前不幸去世了,留下凯丽和妈妈相依为命。凯丽的妈妈没有工作,全家的经济重担就落在了女孩的肩上,她不仅要想办法养活母亲,还要为自己筹得一笔价值不菲的学费。幸运的是,凯丽拥有一张美丽的脸庞,在好友的建议之下,凯丽加入了一个名为“女孩闺房”的直播组织,在这里工作的全部都是和她差不多的妙龄美女,女孩们通过网络直播贩卖她们的生活隐私,来换取相当可观的报酬。清纯可人的凯丽刚刚上任很快就俘获了大批粉丝的芳心,在这些观众里,有一个网名为loverboy的男人对凯丽格外的沉迷。
导演:
/Michael,Oblowitz
剧情:
A scientist performing illegal stem cell research is trying to find a cure for cancer. After the transfer of shark cells is made into a human test subject, the ill man gets well again and it looks like the treatment was a success. But the experiment goes wrong, and the man transforms into monster half-shark half-human. But the scientist knows how to use this to his advantage. He has invited some of his old pals to the island and is hoping to take revenge on them with his new creature. But do they have any tricks up their sleeve
导演:
/罗伯·莱纳
剧情:
莎莉(梅格·瑞恩 饰)开车载哈利(比利·克里斯托 饰)前往纽约,两人就此相识。途中二人言语相左,不欢而散,并留下经典的问题:“排除‘性’的介入,男人和女人可以成为真正的朋友么?” 五年后。两人在机场不期而遇。此时,莎莉沉浸于新恋情的甜蜜,而哈利即将步入正式的婚姻生活。哈利告诉莎莉:“在两人各有所爱的时候,男人和女人或许可以成为朋友,但很快他们会质疑为什么要与只能做朋友的人交往。”莎莉佛袖而去。 十年后。失恋中的莎莉再次偶遇刚刚离婚的哈利。哈利对莎莉说:“我们要成为朋友了么?你或许是我不想带上床的第一位迷人女性。” 临睡前的通话,共度圣诞,为彼此的感情出谋划策,哈利与莎莉有着不可言喻的默契。然而,这真的是一段美丽友谊的开始么?又或者这悄然来临的是错认了的感情呢……
导演:
/山姆·雷米
剧情:
安妮(凯特·布兰切特 Cate Blanchett 饰)拥有能够预知未来的能力,在丈夫去世后,她一直都靠着这珍贵的能力抚养着三个孩子。预知能力为安妮的生活带来了保障,却也带来了危险。在小镇上,人们谈到安妮,总是又爱又怕。一次偶然中,安妮邂逅了校长韦恩(格雷戈·金尼尔 Greg Kinnear 饰)并和他擦出了火花,之后安妮发现,韦恩早已有了一个叫做杰西卡(凯蒂·霍尔姆斯 Katie Holmes 饰)的未婚妻。 杰西卡的失踪让安妮感到十分不安,通过恐怖的梦境,安妮得知了这一失踪案的线索。在唐尼(基努·李维斯 Keanu Reeves 饰)——一个暴力狂家的池塘中,警方找到了杰西卡的尸体并迅速逮捕了唐尼,可是诸多的迹象告诉安妮,这件事情并没有结束。
导演:
/Hermine Huntgeburth
剧情:
尽管从小就失去了母亲的呵护和关爱,但汤姆(路易斯·霍夫曼 Louis Hofmann 饰)还是长大成为了一个活泼伶俐的男孩。调皮的他无心上学,经常偷偷溜出学校,惹出一连串的麻烦。哈克贝利(莱昂·塞德尔 Leon Seidel 饰)是汤姆的朋友,一次偶然中,两人溜进墓地玩耍,却意外的目睹了一桩杀人事件。 害怕遭到凶手的报复,汤姆和哈克贝利决定踏上逃亡的旅途,一行人来到了一座荒岛之上,在此开始了惬意的生活。汤姆的家人以为汤姆已死,没想到他却在自己的葬礼上跳了出来,吓了大家一跳,之后汤姆道出了事情的原委,使得凶手最终被绳之以法。之后,汤姆和贝姬(Magali Greif 饰)在山洞里迷了路,却因祸得福的找到了宝藏。
导演:
/迈克尔·斯派瑞,彼得·斯派瑞
剧情:
偏远的巴克莱小镇是一个宁静祥和的所在,当地居民友爱和善,四处洋溢着幸福和快乐。蕾妮•卓别林(Felicity Mason 饰)是镇上一个美丽的女孩,不久前她刚刚继承长辈的遗产和农场,然而福祸双至,由于家族遗留的债务问题,刚刚到手的财产以及自幼生长的农场全被银行夺去。伤心的蕾妮决定和男友远离家乡,去到另一个城市生活。 就在他们离开之际,天空突然坠下无数剧烈燃烧的陨石。不断有人被陨石击中,但随后他们便从地上爬起,变成了残暴无情、嗜血如命的活死人。蕾妮的男友也不例外,眼看要被男友杀死的蕾妮,关键时刻得到农夫马瑞恩(Mungo McKay 饰)的救助。她和其他几位幸存者必须想尽办法,逃出这个已被感染的死亡小镇……