保罗
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导演：
/潘嘉德
剧情：
周国正（林保怡 饰）是一个缺乏雄心壮志、性格散漫的三十多岁青年，事业一直没有起色，频繁换工作。在母亲的催促下，他最终下定决心加入了警界。然而，在警队中，他总是犯错误，最终被调到沙头角守边界。在那里，他与大陆女孩金兰（张可颐 饰）多次发生误会，将她视为不善良的女人，认为她是个不祥之星。 金兰原本来自广西，为了生计和朋友搬到深圳，但找不到工作，只好去卡拉OK当伴唱。在那里，她遇到了英俊多情的尹有财（邓浩光 饰），两人迅速陷入爱河，并发展出一段深厚的感情。为了支持尹有财去英国发展，金兰毅然献出自己所有的积蓄，然而，尹有财却在此后音讯全无。
导演：
/迈克尔·柯蒂兹,达里尔·F·扎努克
剧情：
After a short split prologue showing riches as the root of evil in ancient and modern times, the film settles into 1914 France, where the Orient Express is about to be wrecked when a bridge washes out. Among those on board are Al and Travis, Americans who are traveling Europe spending Travis' money, and Marie, a German girl. The boys save Marie after the wreck and Travis falls in love with her. When World War I breaks out Al wants to enlist, but Travis can't, feeling loyal to Marie, a German. By 1917 Al has enlisted, and Travis follows him shortly after marrying Marie. Accused of being a German spy by a Russian agent, she is sentenced to die but is recognized by Travis, who is part of the firing squad. The town they are in is shelled and they are all trapped underground, during which a minister makes a lengthy parallel to ancient times when the King of Akkad persecuted his subjects and defied Jehovah, who finally sends a flood to wipe out mankind, except for Noah and his family, whom he has instructed to build an ark and fill it with two of every creature on earth.
导演：
/菲利普·卡德尔巴赫
剧情：
1941年，德军准备入侵苏联，德国男青年Wilhelm和他的弟弟Friedhelm响应希特勒的号召应征入伍，即将奔赴前线。女青年Charlotte立志为国家服务，成了一名女护士，也将前往战场救助伤员。女青年Greta美丽活泼，歌声动人，她希望有朝一日成为一名女歌星。她的情人是一个犹太人Viktor，他是一名裁缝的儿子。五人是最好的朋友，他们在启程的前夜载歌载舞，喝酒庆祝，约定圣诞节再相聚。 分离之前，他们都是意气风发的年轻人；分离之后，他们的命运便和这场战争紧紧联系在一起。对于这一辈的德国人来说，这是他们的父辈、他们的母辈对于这场战争的记忆。
导演：
/Bradley Kaplan,阿尔伯特·梅索斯
剧情：
On the morning of September 11, 2001, Paul McCartney was in New York City on an airport runway waiting to fly to Britain. As he absorbed the news of the unfolding tragedy, he wondered, “What can I do?” The answer, of course, lay in music. McCartney reached out to master documentarian and long-time friend Albert Maysles, inviting Maysles to document his personal experiences on 16mm black and white film, a format seldom used in the digital age but of proven endurance and artistic quality. Over several weeks in October 2001, Maysles’ camera followed McCartney as he prepared for The Concert for New York City, a benefit he helped organize to uplift New York City during this period of uncertainty and vulnerability. The footage went unseen for years, requiring the passage of time to be put in perspective. Now, ten years later, Maysles, his directing partner Bradley Kaplan and editor Ian Markiewicz have emerged with an intimate work that explores the role of art and artists in a time of crisis.
