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导演：
/Edward,L.,Cahn
剧情：
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
导演：
/弗莱德·戴克尔
剧情：
In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.
导演：
/卓比·哈罗德
剧情：
年轻的克莱（海登•克里斯滕森 饰）拥有数十亿的身家，但父亲的逝世对他的影响太大，他也讨厌母亲莉莉丝（莉娜•奥琳 饰）变得爱管制他。克莱也一直回避让母亲知道他与母亲助手萨曼莎（杰西卡•阿尔芭 饰）恋爱这件事。越是反对，越是反抗，最终他还是与心爱的萨曼莎结婚了。 克莱有严重的心脏病，心脏移植才能活命，无奈他的血型鲜有，待终于找到了适合的心脏时，他拒绝让世界级医生给他做手术，而是选择了自己的好朋友医生杰克（特伦斯•霍德华 饰），一个医疗事故缠身的医生。 手术准备开始，克莱以为自己已被麻醉，令他恐慌的是自己的意识竟如此清晰，甚至能感受到身体被剖开，只是身体完全不能动弹。他听到了医生们的谈话，竟然听到了杰克与萨曼莎之间的阴谋，伤心欲绝的他想着自己将要离世了，却在这时候看到了自己的母亲，母亲告诉他不能就此死去……
导演：
/Peter,Mourougaya
剧情：
Thang Máy là câu chuyện kỳ bí xảy ra với những cô gái trẻ khi đi Thang Máy một mình. Mọi chuyện bắt đầu khi Jina đột nhiên mất tích sau khi livestream trong thang máy. Sự cố này gây ra nỗi sợ hãi tâm lý trong tâm trí Trang đến mức cô bị ám ảnh không thể bước vào thang máy ở bất cứ đâu. Cho đến khi người bạn thứ hai - Ngọc - cũng mất tích khi đang livestream trong chính cái thang máy của khu bệnh viện cũ kỹ.
导演：
/格莱高利·莱瓦瑟
剧情：
2013年，一支由梅尔·霍尔顿博士（丹尼斯·欧哈拉 Denis O'Hare 饰）及其女儿诺拉（阿什丽·欣肖 Ashley Hinshaw 饰）率领的美国考古队在开罗南部发现一座被掩埋在黄沙之下的神秘金字塔。虽然埃及正处于暴动混乱之中，但是苏妮（克莉丝塔·尼古拉 Christa Nicola 饰）担任主持人的纪录片摄制组仍然冒险来到当地，只为记录下具有划时代意义的重要时刻。根据现场的情况，该金字塔甚至比已发现的所有金字塔年代都要久远。照例围绕着金字塔，各种恐怖诅咒的阴影盘桓其上，而且开启金字塔的时候还有当地人因毒气而受伤。由于所携带的设备遭到不明原因损伤，诺拉和相关工作人员决定铤而走险进入这座未知金字塔。
等待他们的将是永生难忘的可怕记忆……
导演：
/平山秀幸
主演：
剧情：
春休假期，东京某小学的学生在小田桐理香老师（西田尚美 饰）的带领下来到一座寺院宿营。男孩女孩们欢声笑语，吵闹不断；寺院住持（米仓齐加年 饰）慈祥可亲，平易近人。宿营的最后一日4月4日，作为宿营的保留节目，夜晚的试胆游戏自然必不可少。孩子们用心准备，而寺院小偷浅野和成（野村宏伸 饰）则趁乱盗走这里的镇山之宝。一名学生进入附近的小学，意外中止了钟楼的齿轮。黑暗瞬间笼罩这座小山，忙打乱撞进入校舍的真弥（细山田隆人 饰）、阿司（阿部大和 饰）等人以及小偷将遭遇人面犬、花子等传说中的恶灵。百鬼夜行，恐怖之夜拉开序幕……
本片根据常光彻的同名小说改编。
导演：
/桑尼·墨海
剧情：
Ellie,arecoveringdrugaddict,hasjustmovedtoanewcitywithhertwoteenagechildren.Shehasstruggledtostaysoberinthepastandisdeterminedtomakeitworkthistime,findingastablejobandregularlyattendinghermeetings.Unfortunately,newfriends,anewjob,andthechanceofanewlife,can’tkeepElliefromslippingonceagain.HerlifechangeswhenshemeetsChristopher-adifferentkindofaddict-whichforcesherdaughterandsontoacceptanewversionofEllie.
导演：
/Taratep Tiwsomboon
主演：
剧情：
泰国少女茗（奴塔蒙卡·淑孔裘 Natthamonkarn Srinikornchot饰）看似平平，却有着与众不同的能力。她能够感知过去发生的事情，并在人鬼之间的世界游荡。不仅人类拜托她寻找往生者，连鬼魂也紧随其后，似有所求。十几年来，孤独无助的茗不停搬家，只为躲避一个神秘鬼魂的纠缠。
茗有个青梅竹马的玩伴名叫伯特（阿奴沏·萨潘彭 Anuchit Sapanpong 饰），身为法医的他始终有一个无法解开的心结。15年前伯特的父亲去世，周围人都相信他的爸爸死于自杀，而他却坚信这其中另有原因。几番辗转，伯特找到茗，希望她帮助寻找父亲死亡的真正原因。在这一过程中，他们也开始审视各自黑暗的过去……
导演：
/Victor Canache
主演：
剧情：
Secluded from the world, in XIX century rural Romania, a widow and mother of three must defend what's left of her family, at all costs, from an old family friend turned foe. Based on one of the best-known Romanian folk tales (The Goat and Her Three Kids by Ion Creanga), this film aims to unveil the true nature of the famed bedtime story and to treat the audience to a different ...
导演：
/筱田正浩
剧情：
《干花》这部风格强烈的「艺术黑帮片」制作于任侠电影黄金时代的开端，以强烈反差的黑白摄影及武满彻诡异的配乐，带领观众梦游石原慎太郎原著的「仁义」地下世界。
作为松竹新浪潮的一员，篠田正浩则是自觉地离开片厂，走上独立制作的道路。篠田的《乾花》有趣的地方，可能是见到本是文艺小生的池部良，如何开始转型成为一位「任侠」。虽然在这部电影中，他还是一个典型的石原慎太郎太阳族小说的迷惘主人翁，但走上罪犯的道路后，他很快就成为「昭和残侠」的一员。日本的黑帮片，可能是把罪犯神话化的极致了。
《干花》，这部筱田正浩的新浪潮时期的作品，改编自石原慎太郎的原著。这部小说和另外一部石原慎太郎作品《太阳的季节》的出现，给新浪潮中重要一类电影立下了“太阳族电影”的名字。这部冷酷迷人的电影所展现出来的虚无主义情绪似乎比大岛洼的成名作《残酷青春物语》还要强烈得多，技术也更高超得多。
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