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导演：
/詹姆斯·马
剧情：
1974年8月7日，法国杂技名人菲利普·珀蒂（保罗·麦克吉尔PaulMcGill饰）在纽约世贸大厦高达110层（412米）的两座大楼之间，完成了一次至今仍令人叹为观止的壮举——搭起了一条横跨天穹的钢索，完成了长达45分钟的大胆表演。谁也想不到，这个害羞的25岁男孩菲利普，在朋友们的帮助下，缜密调查筹划，突破层层关卡，终于神不知鬼不觉地完成了这次极其危险而疯狂的“艺术犯罪”。菲利普在钢索上或跪或躺，时而慢行时而舞动。影片镜头细腻地捕捉到了当年无比惊险的分秒，并生动地重演了现场，再加上人物访谈等多种手法，使得这部逐梦世贸大厦间的纪录片，在美国911事件后，弥足珍贵。\r这部由BBC、Discovery和UKFilmCouncil联合出品的传记类纪录片《走钢丝的人》，荣获2009年第81届奥斯卡金像奖-最佳纪录长片，2009年第62届英国电影和电视艺术学院奖-最佳英国影片，及2008年第21届欧洲电影奖-最佳纪录片奖提名。
导演：
/Iván Gaona
主演：
剧情：
Mariana, Willington's eternal love, is preparing her marriage with René, the cousin of her ex boyfriend. While Willington tries to get her back, the rumour of a thief in town and a series of violent deaths that remind them of a fearful past, will endanger Mariana's new family.
导演：
/Federico Moccia
剧情：
故事紧接着《熟男我爱你》继续发展，艾利克斯（雷欧·波瓦 Raoul Bova 饰）和尼基（米琪拉·奎阿托希欧奇 Michela Quattrociocche 饰）这对年龄相差20岁的“老少配”眼看着已经交往了三年之久了，尽管此时的尼基还只是一个刚刚年满二十岁的“小女孩”，但对尼基爱之深情之切的艾利克斯还是决定要娶她为妻。
在一番浪漫的约会和求婚后，尼基接受了艾利克斯的求婚，两人的盛大婚礼也提上了日程。可是，就在这个节骨眼上，尼基却患上了婚姻恐惧症，各种各样不吉利的念头在她古灵精怪的大脑中飞速流窜，她甚至产生了退却的念头。面对着准新娘的犹豫和踌躇，我们的准新郎该如何挽回她的心呢？
导演：
/Rodrigo Cortés
主演：
剧情：
Martin is an Economy teacher, one day, he win the biggest prize given on TV: 3 million € in objects; that is to say, a new luxurious mansion, 5 cars, a yacht, a plane... But he has not the money to keep everything. He should sell something, but the greed of his wife and the thirst of money of his lawyer will make them to ask the bank for money to keep everything, which will ruin his life, as the bank is not going to put things easy...
导演：
/Mike Möller
主演：
剧情：
The "Bloods" are the most intimidating and violent gang in the city. A lawless city... where gangs rule the streets... The vicious and blood thirsty murderer Slater is their leader. The city is his domain... he rules! There are those who are not members of gangs such as Mikey and his friends. Mikey lives on the edge, he is daring and always in trouble and fights. His brother Mathis and his friends try to avoid trouble at any cost. Revenge becomes the motive to Mikey when his brother Mathis goes missing and is killed. To avenge the death of his brother Mikey must fight those responsible for his brother's untimely death. With ultimate focus, Mikey trains his body and mind. He takes on all corners in street fights and a fighting tournament... his name becomes feared on the street. The "Bloods" and Slater become, in his mind, the final nemesis. A nemesis he will only win against with the support of his friends...
导演：
/Bladimir Abud
剧情：
安娜带着儿子阿莫里斯生活在多米尼加的一个贫民窟里，阿莫里斯喜欢画画，希望可以卖画补贴家用。他的朋友劳尔在他生日当天送给他一部手机，带着他来到富人区卖画。在劳尔倒卖毒品的时候阿莫里斯被埃斯特班误以为是小偷，并开枪杀死了阿莫里斯。这一切被手机拍摄下来，劳尔带着手机逃跑。安娜决心为儿子的死讨个说法，在拿到手机得知真相后，她联合邻居大姐找到了律师安东尼奥。无奈杀死阿莫里斯的是政府驻墨西哥大使的儿子，为了掩盖丑闻，大使想尽办法销毁证据。眼看着事实被一点点遮盖，安娜找遍了可以诉讼的机构，却都吃了闭门羹，自己也被凶手迫害。正当凶手要离开的时候，贫民窟的民众围了上来，将凶手当场打死。媒体揭露了整个事件的真相，大使被政府撤销，安娜终于为儿子讨回了公道。
导演：
/MikheilChiaureli
主演：
剧情：
MikheilChiaureli是斯大林的御用导演，《攻克柏林》长达近五个小时，分上下两部，处处着重突出最高统帅的高瞻远瞩。影片结尾，斯大林乘飞机抵达陷落的柏林，接受苏军的欢呼。其实这是“艺术虚构”。和《斯大林格勒战役》www.douban.com/subject/1790606/一样，这场实际主要由朱可夫将军指挥的战役，影片中丝毫没有他的影子。当时朱可夫已经因为功高震主，被罗织罪名，发配到乌拉尔军区去了，这是1946年的事。这部1949年的电影很自然地就将朱可夫的功劳“艺术虚构”到伟大领袖的头上了。\r\n因为这部影片，导演连续获得了两次国家奖金，包括1950年的斯大林奖金。中国观众熟悉的《难忘的1919》（1952）www.douban.com/subject/1790597/也是出自这位导演的手笔。值得一提的是，这两部影片都是由苏联作曲家肖斯塔科维奇谱曲的。
导演：
/Alan Simmonds
主演：
剧情：
柯伯特航空公司研制的全球第一架配备全自动驾驶系统的飞机投入试飞。如果试飞成功，柯伯特在美国私人航空，乃至整个军事领域的地位将无人可及。然而，飞机起飞不久自动驾驶控制系统就出现问题，导致飞机坠毁在西雅图郊区。柯伯特赶赴空难现场，毫不留情地将自动驾驶控制系统研发人加布里尔解雇。
六个月后，柯伯特航空公司研制的自控2号面世。新闻发布会上，柯伯特隆重推出自控2号飞行员瑞琪女士。他们与他的女儿、女婿、亲家约翰参议员，对自控2号广阔的市场前景，以及在军事领域的重要意义充满信心。自控2号十六小时后起飞，柯伯特派专人看守机库，没想到机库里迎来了前空军飞行员皮特这个不速之客。
皮特是保安队长耐德在空军服役时的战友、自控2号飞行员瑞琪女士的前夫。皮特正在戒酒，准备开办阳光沙滩包机公司。自控2号新闻发布会后，皮特与前妻瑞琪久别重逢。时隔半年，自控2号腾空而起，由西雅图飞往洛杉矶。飞机平稳升空，机舱里柯伯特、约翰参议员及一双儿女难掩心中喜悦。
飞机升至15000英尺高空时，瑞琪突然发现自动控制系统失灵，真正控制飞机的是自控2号以外的一个“幽灵”，自控2号随时都有机毁人亡的危险。与此同时，在西雅图一个居民区里，六个月前遭柯伯特解雇的加布里尔，正在家“悠闲”的操控着在15000英尺高空上的自控2号。
加布里尔的图像和声音出现在自控2号时，柯伯特意识到加布里尔在报复他。然而，瑞琪很快发现加布里尔的真正意图不在于钱。皮特闻讯赶到柯伯特航空公司地面控制中心。西雅图医院收治的一个不幸遭黑蜘蛛叮咬的女孩给了皮特找到加布里尔最后的机会。原来，那个名叫克莱尔的小女孩就是在加布里尔家不幸让澳洲黑蜘蛛叮咬的。
皮特赶到医院，从克莱尔的妈妈那里要来公寓地址，很快找到在家操控自控2号的加布里尔。皮特除掉了让仇恨扭曲灵魂的加布里尔，解除了加布里尔对自控2号的远程控制。在皮特的遥控指挥下，瑞琪镇定地驾驶着航油耗尽、发动机停机的自控2号。自控2号迫降成功，皮特带着惊魂未定的瑞琪离开西雅图机场，两人开始重温旧梦。
导演：
/Alan Simmonds
主演：
剧情：
柯伯特航空公司研制的全球第一架配备全自动驾驶系统的飞机投入试飞。如果试飞成功，柯伯特在美国私人航空，乃至整个军事领域的地位将无人可及。然而，飞机起飞不久自动驾驶控制系统就出现问题，导致飞机坠毁在西雅图郊区。柯伯特赶赴空难现场，毫不留情地将自动驾驶控制系统研发人加布里尔解雇。
六个月后，柯伯特航空公司研制的自控2号面世。新闻发布会上，柯伯特隆重推出自控2号飞行员瑞琪女士。他们与他的女儿、女婿、亲家约翰参议员，对自控2号广阔的市场前景，以及在军事领域的重要意义充满信心。自控2号十六小时后起飞，柯伯特派专人看守机库，没想到机库里迎来了前空军飞行员皮特这个不速之客。
皮特是保安队长耐德在空军服役时的战友、自控2号飞行员瑞琪女士的前夫。皮特正在戒酒，准备开办阳光沙滩包机公司。自控2号新闻发布会后，皮特与前妻瑞琪久别重逢。时隔半年，自控2号腾空而起，由西雅图飞往洛杉矶。飞机平稳升空，机舱里柯伯特、约翰参议员及一双儿女难掩心中喜悦。
飞机升至15000英尺高空时，瑞琪突然发现自动控制系统失灵，真正控制飞机的是自控2号以外的一个“幽灵”，自控2号随时都有机毁人亡的危险。与此同时，在西雅图一个居民区里，六个月前遭柯伯特解雇的加布里尔，正在家“悠闲”的操控着在15000英尺高空上的自控2号。
加布里尔的图像和声音出现在自控2号时，柯伯特意识到加布里尔在报复他。然而，瑞琪很快发现加布里尔的真正意图不在于钱。皮特闻讯赶到柯伯特航空公司地面控制中心。西雅图医院收治的一个不幸遭黑蜘蛛叮咬的女孩给了皮特找到加布里尔最后的机会。原来，那个名叫克莱尔的小女孩就是在加布里尔家不幸让澳洲黑蜘蛛叮咬的。
皮特赶到医院，从克莱尔的妈妈那里要来公寓地址，很快找到在家操控自控2号的加布里尔。皮特除掉了让仇恨扭曲灵魂的加布里尔，解除了加布里尔对自控2号的远程控制。在皮特的遥控指挥下，瑞琪镇定地驾驶着航油耗尽、发动机停机的自控2号。自控2号迫降成功，皮特带着惊魂未定的瑞琪离开西雅图机场，两人开始重温旧梦。
导演：
/张贤相
剧情：
In the peaceful Paju Heyri Art Village, a zombie incident suddenly occurs. For the opening of the Heyri Arts Center, three friends, Jinseon, Hyuna, and Gayeon, decided to face this crisis. And a novice YouTuber and a coffee factory president add it. Director Jang Hyun-sang's new film, Zombie Crush: Hey Lee, is a film about daily life in a tumult by a zombie suddenly appearing one day, and the struggles of a three-woman room to protect the village. Naturally, the confusion and anxiety that the world is experiencing recently comes to mind, but the movie conveys hope to everyone who is passing through this age of chaos in a wacky and pleasant way. It is time and money to remain with Jinseon, who is meticulously caring about the surroundings, but it is time and money to remain with Jinseon, who is the only person in the world. A movie that shows off the charm of an actor.
导演：
/格里高利·亚历山德罗夫,谢尔盖·爱森斯坦
主演：
剧情：
1927年，为纪念十月革命十周年而拍摄的纪录风格影片，片中群众角色很多为当时参与十月革命的工人和士兵，当时起义的领导之一Nikolai Podvolsky也参与演出一名布尔什维克（此公是十月革命十周年庆典组委会的主席，正是他向爱森斯坦委约了这部影片）。脚本参考了美国记者里德（John Reed）的新闻体纪实著作《震撼世界的十天》（Ten Days That Shook the World）。此片和《战舰波将金》、《罢工》一样，同为爱森斯坦二十年代探索蒙太奇剪辑的代表作。
通常上映的版本配乐，采用了苏联作曲家肖斯塔科维奇的交响作品和小品。
导演：
/马克·顿斯阔依
主演：
剧情：
Detstvo Gorkogo (The Childhood of Maxim Gorky) - 1938 Directed by Mark Donskoy G. Shenotinnik A Review By Ollie The Childhood of Maxim Gorky, tells the story of Aleksei Peshkov a 12 year old boy, living in 19th Century Russia, who would later be known as Maxim Gorky, possibly Russia's most famous and celebrated novelist and dramatist. Made in 1938, the film is based on Gorky's autobiography `My Childhood', and is rich and powerful film which will capture your attention from the beginning. Naturally, being made in 1938, the film is in black and white, although the story is so colourful and vibrant, with characters so alive, you would be forgiven for thinking the film was made much later. It definitely does not feel almost 65 years old. Aleksei Lyarsky, who plays Gorky, is instantly likeable as the young protagonist. Capable of portraying emotions far beyond his years, he works superbly alongside a cast of commanding and believable proportion. There is an almost Dickensian feel to some of the characters. While desperately sad, and easy to sympathise with, the Grandfather has an ineffable quality, both humorous and self pitying. In stark contrast, Maxim's Grandmother is a simple woman, one of goodness and truth, representing all that is beautiful in the optimism of the poverty in which they live. This film is more than an autobiographical look at one person's life. It is a peek through the windows of a time long since passed, a history lesson and above all a lesson in life, love and friendship. This is probably the most definitive coming of age drama I have seen, with more authority and gravitas than Truffaut managed in the much acclaimed `400 Blows'. There are several scenes which stand out. From a simple act of kindness from Maxim, when he gives a crippled boy his pet mouse, to Gorky and his friends sitting around a fire dreaming of a Utopian Neverland; from his Grandfathers almost comedic reactions to their ever increasing poverty, to the tears of his Grandmother as he hands her a coin. This is a rich and immensely strong film, advanced well beyond it's years, which holds it's own exceptionally well nearly 65 years later. This film will leave an indelible mark on your memory, if only from the simplicity of the tale it tells. It is, without doubt, pure cinematic poetry. A piece of film history which everyone would do well to try and see -it will not disappoint. An extremely well earned 10/10!
