Haik
搜索"Haik"，找到40部影视作品
导演：
/Aum Natthaphong Aroonnet
主演：
剧情：
一千年前在布利，朝朗让斯曼安排一场纺织比赛来挑选妻子，他朝朗登上王位。在展示纺织品的那一天，NakhonPhaNgam的AnyanangHomnuan就在纺织完成之前被勒死。凶手留下的只是她喉咙周围的丝痕。一千年后，鬼迷阿奇是头一个在线捉鬼项目。他邀请了一群朋友杨在，班班和朱尼尔到清迈制作这部剧。他对他的曾祖母撒谎说他只是来参观的，但她对此表示怀疑，并警告他不要进入储藏室。然而，她的话产生了相反的效果，阿奇走进房间，在那里他发现了一小块古老的布。当他与它接触时，AnyanangHomnuan的灵魂出现了，并告诉他，触摸这块布的人必须在三天内找到杀害她的凶手，否则就会灭亡。阿奇和他的朋友们必须一起解决这个问题，以挽救他的生命。OnethousandyearsagoinWiangChaiChetBuri,ChaoLuangRangsimanarrangesaweavingcompetitiontoselectawife,hisChaoNangLuangonthethrone.Onthedaythetextilesaretobepresented,AnyanangHomnuanofNakhonPhaNgamisstrangledtodeathjustbeforetheweavingisfinished.Allthekillerleftbehindwasthesilkmarkaroundherthroat.Onethousandyearslater,ghost-enthusiastAchiisheadofanonlineghost-huntingprogram.HeinvitesateamoffriendsYoungJae,Bambam,andJuniortoChiangMaitomaketheshow.Heliestohisgreat-grandmotherthathe’scomejustforavisit,butshe’sdoubtfulandwarnshimnottoenterthestorageroom.Herwordshavetheoppositeoftheirintendedeffect,though,andAchienterstheroomwherehefindsasmall,ancientbitofcloth.Whenhemakescontactwithit,thespiritofAnyanangHomnuanemergesandtellshimthatthosewhotouchtheclothmustfindherkillerwithinthreedaysorperish.Achiandhisfriendsmustcometogethertosolvethequestinordertosavehislife.
导演：
/Uri,Zohar
剧情：
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.
Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.
The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
导演：
/迈克尔·温特伯顿
剧情：
萨沙·拜伦·科恩（Sacha Baron Cohen）即将主演新片《贪婪》（Greed），该片由英国导演迈克尔·温特鲍特姆（Michael Winterbottom）执导，是一部讽刺资本主义的喜剧片。 在片中，萨沙·拜伦·科恩将出演一个亿万富豪，他从事的是竞争激烈的零售业。跟着他，观众将走进超级富人的奢华世界，看到人们不愿接受的资本主义的另一面。 虽然目前还没有更多细节，但这部影片很可能采用萨沙·拜伦·科恩之前的《波拉特》、《布鲁诺》、《独裁者》那几部影片的风格。 《贪婪》由福克斯探照灯公司（Fox Searchlight）发行，英国的Revolution Films将承担拍摄制作。
